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The found footage format quickly gained popularity thanks to its unique way of crafting potent frights but waned almost as fast due to its limitations. Unavoidable questions arose once the novelty wore off, like, why doesn't the protagonist put the camera downwards and run? Or, who's even assembling and editing the found footage? Malibu Horror Story attempts to push past the format's more glaring tropes past nestling found footage inside a fake-documentary within a traditional narrative feature.

Four paranormal investigators set out to retrace the steps of four missing teens to solve the case backside their 2012 disappearance and use their findings in a documentary in hopes of landing a series bargain. Documentary manager and host Josh ( Teen Wolf'south Dylan Sprayberry ), equipment tech Matt ( Robert Bailey Jr. ), researcher Ashley ( Valentina de Angelis ), and editor Jessica ( Rebecca Forsythe ) head to the teens' final known spot to complete production. Taking a break from experimenting with EVP, Jessica shows her director the medico's rough cut then far.

At this indicate, the traditional narrative transitions into documentary footage, assembling news clips, newspaper articles, and found footage of Malibu teen Jake Torrance ( Tommy Cramer ) and friends. This section retraces their steps and pieces together the circumstances that led to their disappearance. Author/Managing director Scott Slone breaks up the heavy exposition of Torrance's lineage and the film's mythology with fascinating commentary on how the unruly teen beliefs altered public opinion. The latter keeps the momentum going when the unwieldy worldbuilding becomes tedious.

From a scare perspective, Malibu Horror Story boasts cool fauna designs and ii unsettling animal performers in Douglas Tait ( Annabelle Comes Home , Hellboy ) and Troy James ( Hellboy , Scary Stories to Tell in the Nighttime ). Any appearance of the malevolent entities compensates when the more telegraphed jump scares miss their mark.

Using the paranormal investigators equally the framework for this POV nesting doll bypasses ane of the more mutual found footage tropes past eschewing the need to explain the camera's presence. It'south a clever workaround, but the downside to relegating these characters to bookending segments simply means that we never really get to know them beyond their fleeting archetypical roles in the documentary. In that location's zero emotional investment in their fates every bit high energy as the third act is, particularly with the animal work. It does, still, offer visual interest and a much more polished climax.

Despite the innovative construction and convergence of styles, Malibu Horror Story can't entirely break complimentary from constitute footage conventions. Its characters are still decumbent to contrived decision making that occasionally stretches plausibility, and many refuse to endear themselves to audiences. In the example of the 2012 teens, it raises intriguing commentary on the court of public opinion. But it gets swallowed whole by the dense mythology behind what ails the haunted land and its ties to the Torrance family. Though non wholly successful, Slone's unique structural approach, zippy pacing, and creature work at least push button the needle frontwards slightly in establish footage's evolution.

Malibu Horror Story screened at Panic Fest Motion-picture show Festival.